JOIN MAILING LIST
| At The Crossroads (2011)
James Carter Organ Trio EMARCY |
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| Caribbean Rhapsody (2011)
James Carter, Roberto Sierra EMARCY |
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| Present Tense (2008)
James Carter, Dwight Adams, EMARCY |
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| James Carter and Company Live at Baker’s (2004) Warner Brothers 48449-2 |
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| Layin’ in the Cut (2000)
Atlantic Records/WBR |
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| Chasin’ the Gypsy (2000)
Atlantic Records/WBR |
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| In Carterian Fashion (1998)
Atlantic Records/WBR |
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| Conversin’ with the Elders (1996)
Atlantic Records |
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| The Real Quietstorm (1995)
Atlantic Records/WBR |
| Also: | |
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Baroque (2010) By Junko Onishi (performed on), Verve |
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Heaven on Earth (2009) James Carter, John Medeski, Christian McBride, Adam Rogers and Joey Baron – Half Note Records |
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Gold Sounds (2005) James Carter, Cyrus Chestnut, Ali Jackson, Reginald Veal – the music of Pavement recorded for Brown Brothers Records |
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Out of Nowhere Live at the Blue Note (2004) The James Carter Organ Trio with special guests, Hamiet Bluiett and James “Blood” Ulmer on Half Note Records |
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Gardenias for Lady Day (2003) Columbia/Sony 2-89032 |
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Swing is the Thing (2000) Flip Phillips (performed on) |
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Cyrus Chestnut (1998) Cyrus Chestnut (performed on) |
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Gershwin’s World (1998) Herbie Hancock (performed on) |
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Hidden Kingdom (1998) Rodney Whitaker (performed on) |
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Great Expectations: The Score (1998) (contributed to) |
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Children of the Light (1996) Rodney Whitaker (performed on) |
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Dreamland (1996) (performed on) |
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SaxEmble (1996) (performed on) |
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Kansas City (1996) Soundtrack (contributed to) |
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You Sleigh Me (1995) Holiday Compilation (contributed to) |
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Organizer (1995) Lester Bowie (performed on), Recorded 1991 |
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Funky T. Cool T. (1995) Lester Bowie (performed on), Recorded 1991 |
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Jurassic Classics (1995) DIW/ Columbia/ Sony |
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Rush & Hustle (1994) Wendell Harrison (performed on) |
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Five Chord Stud (1994) Julius Hemphill (performed on), Black Saint |
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JC on the Set (1993) Japan only/U.S. release in 1994 |
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Fat Man and the Hard Blues (1991) Julius Hemphill (performed on) |
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The Tough Young Tenors (1991) (contributed to) |
The music, commissioned by the DSO and written for Carter, shows off his brilliant technical command of the tenor and soprano saxes and carves out space for improvisation in which his ideas burst like fireworks. | He is the complete musician, a technician with no apparent limits and a poet of deep sensibility. Indeed, Carter’s eloquent turn through the concerto’s balladlike slow movement drew an early ovation. – DETROIT NEWS |