| At The Crossroads (2011)
James Carter Organ Trio EMARCY |
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| Caribbean Rhapsody (2011)
James Carter, Roberto Sierra EMARCY |
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| Present Tense (2008)
James Carter, Dwight Adams, EMARCY |
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| James Carter and Company Live at Baker’s (2004) Warner Brothers 48449-2 |
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Gardenias for Lady Day (2003)
Columbia/Sony 2-89032 |
| Layin’ in the Cut (2000)
Atlantic Records/WBR |
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| Chasin’ the Gypsy (2000)
Atlantic Records/WBR |
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| In Carterian Fashion (1998)
Atlantic Records/WBR |
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| Conversin’ with the Elders (1996)
Atlantic Records |
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| The Real Quietstorm (1995)
Atlantic Records/WBR |
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Jurassic Classics (1995)
DIW/ Columbia/ Sony |
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JC on the Set (1993)
Japan only/U.S. release in 1994 |
| Also: | |
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Baroque (2010) By Junko Onishi (performed on), Verve |
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Heaven on Earth (2009) James Carter, John Medeski, Christian McBride, Adam Rogers and Joey Baron – Half Note Records |
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Gold Sounds (2005) James Carter, Cyrus Chestnut, Ali Jackson, Reginald Veal – the music of Pavement recorded for Brown Brothers Records |
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Out of Nowhere Live at the Blue Note (2004) The James Carter Organ Trio with special guests, Hamiet Bluiett and James “Blood” Ulmer on Half Note Records |
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Swing is the Thing (2000) Flip Phillips (performed on) |
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Cyrus Chestnut (1998) Cyrus Chestnut (performed on) |
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Gershwin’s World (1998) Herbie Hancock (performed on) |
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Hidden Kingdom (1998) Rodney Whitaker (performed on) |
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Great Expectations: The Score (1998) (contributed to) |
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Children of the Light (1996) Rodney Whitaker (performed on) |
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Dreamland (1996) (performed on) |
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SaxEmble (1996) (performed on) |
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Kansas City (1996) Soundtrack (contributed to) |
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You Sleigh Me (1995) Holiday Compilation (contributed to) |
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Organizer (1995) Lester Bowie (performed on), Recorded 1991 |
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Funky T. Cool T. (1995) Lester Bowie (performed on), Recorded 1991 |
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Rush & Hustle (1994) Wendell Harrison (performed on) |
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Five Chord Stud (1994) Julius Hemphill (performed on), Black Saint |
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Fat Man and the Hard Blues (1991) Julius Hemphill (performed on) |
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The Tough Young Tenors (1991) (contributed to) |
| This is James Carter in the present tense, at the full height of his jaw-dropping powers, swooping through a new concerto he premiered in October with the Detroit Symphony. – DETROIT NEWS | There were passages in the program, especially during pieces such as Joe Henderson’s “Recorda Me,” in which Carter played with a surprisingly soft and tender sound, his improvisations filled with subtle melodic paraphrases. At other times, he added an appealing, burry edge to his tone—the result calling up images, on soprano saxophone, of Sidney Bechet. |