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Whether he’s playing tenor or soprano sax, shows off a sweet, sinuous tone; when he reinterprets Reinhardt’s classic Nuages with a bass sax, the muscular sound is distancing at first, but then it wraps itself around the listener like an anaconda.
-Christopher John Farley, TIME

The music, commissioned by the DSO and written for Carter, shows off his brilliant technical command of the tenor and soprano saxes and carves out space for improvisation in which his ideas burst like fireworks.
- Mark Stryker, DETROIT FREE PRESS