Whether he’s playing tenor or soprano sax, shows off a sweet, sinuous tone; when he reinterprets Reinhardt’s classic Nuages with a bass sax, the muscular sound is distancing at first, but then it wraps itself around the listener like an anaconda. -Christopher John...
Carter’s ease with swing, bop and avant-garde styles also gave notice that a staggeringly inclusive figure—the apotheosis of the postmodern jazzman—was now among us.-Steve Futterman, THE WASHINGTON POST
Reinhardt’s spirit started talking to Carter when he was just 14, listening to a jazz radio program in his Detroit home…. Sixteen years later, the spirit of Reinhardt rose again…-James Hale, THE OTTAWA CITIZEN
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